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7.1 CALLS THAT FROM RIGHT HAND TWO-FACED LINES
The
TWO-FACED LINE shown below is right-handed in the sense that the
couples are joined in the center with a right hand. The case
in
which the center dancers left hands are joined is called a LEFT HAND
TWO-FACED LINE.
All left handed formations will be avoided in this section..
Figure 7-1. RIGHT HAND TWO-FACED LINE
7.1.1 VEER LEFT and VEER RIGHT
IN-FACING
BOX: For VEER LEFT each couple working as a unit, moves to the left and
forward. The dancers end up in a RIGHT HAND TWO-FACED LINE.
ANIMATI0N
Box to Right 2-Faced Line
For VEER RIGHT each couple working as a unit, moves to the right and
forward. The dancers end up in a LEFT HAND TWO-FACED LINE.
ANIMATI0N
(Not
illustrated)
Box to Left 2-Faced Line |
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Figure 7-2. VEER LEFT. from a IN-FACING BOX
RIGHT
HAND TWO FACED LINE: For VEER RIGHT Each couple working as a unit, moves
to the right and forward. The dancers end up in a OUT-FACING BOX.
ANIMATI0N
Right 2-Faced Line to Box
LEFT HAND TWO FACED LINE: For VEER LEFT Each couple working as a unit, moves
to the left and forward. The dancers end up in a OUT-FACING BOX.
ANIMATI0N
(Not
illustrated)
Left 2-Faced Line to box
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Figure 7-3. VEER RIGHT from a RIGHT HAND
TWO-FACED LINE.
7.1.2 WHEEL AROUND
SIDE-BY-SIDE COUPLE: The couple, working as a unit
with
hands joined,
turns 180°, the left hand dancer backing up, and the right hand
dancer moving forward.
ANIMATI0N
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Figure 7-4.
WHEEL AROUND.
7.1.3 WHEEL AND DEAL
RIGHT HAND TWO-FACED LINE: Each couple steps
forward and then wheels
180°
toward the center of the line. The center dancer in each couple acts as
the pivot point about which the couples turn. The dancers end up in an
IN-FACING BOX.
ANIMATI0N
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Figure 7-5. WHEEL & DEAL.
7.1.4 CHAIN DOWN THE LINE
RIGHT HAND TWO-FACED LINE: The centers trade while
ends adjust as
necessary to meet the center dancers. Then
the ends do a courtesy turn with the centers. The dancers end up in an
IN-FACING BOX.
ANIMATI0N
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Figure 7-6. CHAIN DOWN THE LINE.
7.1.5 HALF TAG THE LINE
RIGHT HAND TWO-FACED LINE: Each dancer steps
forward and turns to face
the center
of the line. Then each dancer walks forward passing right shoulders
with the oncoming dancers. The dancers stop walking forward when the
original center from each side of the line meets the original end from
the other side. The dancers end up in a RIGHT HAND BOX.
ANIMATI0N
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Figure 7-7. HALF TAG THE LINE.
7.1.6 TAG THE LINE (all the way thru)
RIGHT
HAND TWO-FACED LINE: Each dancer steps forward and turns to face the
center of the line. Then each dancer walks forward passing right
shoulders with oncoming dancers until the dancers walk past all of the
dancers from the other side.
This call is usually followed by any one of the directional calls like
FACE RIGHT to form a RIGHT HAND TWO-FACED LINE.
ANIMATI0N
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Figure 7-8. TAG THE LINE.
7.1.7 PEEL OFF
RIGHT
HAND BOX: The lead dancers walk in
an approximate
semicircle
(180º) away from the center of the BOX to become the ends of a LEFT
HAND TWO-FACED LINE. The trailing dancers step forward and make a
U-TURN
BACK away from the
center of the BOX. They become centers of the same LEFT HAND TWO-FACED
LINE.
ANIMATI0N
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Figure 7-9. PEEL
OFF.
7.1.8 BEND THE LINE
RIGHT HAND TWO-FACED LINE: Each couple, working as
a unit, wheels
(90°) toward
the center of the line. The dancers end up in an IN-FACING BOX.
ANIMATI0N
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Figure 7-10.
BEND THE LINE.
7.1.9 CROSSFIRE
RIGHT HAND TWO-FACED LINE: The ends cross fold as
the centers trade.
Upon
completing their Trade, the centers release hands and step forward to
form a RIGHT HAND BOX.
ANIMATI0N
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Figure 7-11.
CROSSFIRE.
7.1.10 FAN THE TOP
RIGHT
HAND TWO-FACED LINE: The center dancers turn three quarters (270°)
while the end dancers move forward in a quarter circle. The dancers end
up in a new RIGHT HAND TWO-FACED LINE that is rotated 90° from the
orientation of the original LINE.
ANIMATI0N
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Figure 7-12. FAN THE TOP.
7.1.11 ACEY DUECEY
RIGHT HAND TWO_FACED LINE: Center dancers trade, and the end dancers
trade.
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Figure 7-13.
ACEY DEUCEY
7.2 SUMMARY of calls involving LINES.
· CHAIN DOWN THE LINE (018)
· BEND THE LINE (025)
· WHEEL AROUND (031)
· WHEEL AND DEAL (043)
· VEER LEFT (RIGHT) (049)
· TAG THE LINE (065)
· HALF TAG THE LINE (066)
· ACEY DEUDEY (070)
· CROSSFIRE (076)
· FAN THE TOP (083)
· PEEL OFF (089)
7.3 PRACTICE CALL SEQUENCES
MUSIC
FOR TYRING
THE EXERCISES
7.3.1 EXERCISE 7.1 – VEER, BEND THE LINE
· SQUARE YOUR SET
· VEER LEFT
· BEND THE
LINE
· VEER
RIGHT
· BEND THE LINE (home)
7.3.2 EXERCISE 7.2 – VEER, WHEEL AROUND
· SQUARE
YOUR SET
· VEER LEFT
· VEER
RIGHT
· WHEEL
AROUND
· VEER LEFT
· VEER
RIGHT
· WHEEL AROUND (home)
7.3.3 EXERCISE 7.3 – VEER, WHEEL & DEAL
· SQUARE
YOUR SET
· VEER LEFT
· WHEEL &
DEAL
· VEER LEFT
· WHEEL & DEAL
(home)
7.3.4 EXERCISE 7.4 – VEER, TAG THE LINE, WHEEL
& DEAL
· S QUARE
YOUR SET
· VEER LEFT
· TAG THE
LINE
· FACE R
· WHEEL & DEAL (who
leads)
· HALF SASHAY (home)
7.3.5 EXERCISE 7.5 – VEER, HALF TAG, PEEL OFF, ADEY
DEUCEY
· Square your
set
· VEER LEFT
· HALF TAG THE
LINE
· PEEL OFF
· ACEY
DEUCEY
· BEND THE
LINE
· R&L THRU (home)
7.3.6 EXERCISE 7.6 – VEER, FAN THE TOP
· Square your
set
· VEER LEFT
· FAN THE
TOP
· FAN THE
TOP
· CENTERS
TRADE
· FAN THE
TOP
· BEND THE LINE (home)
CALLER’S NOTE:
Any LINE formation may be resolved by returning the dancers to a BOX
formation and resolving the BOX formation as previously described
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